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    <loc>http://www.alejandropintado.com/work</loc>
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    <lastmod>2025-04-02</lastmod>
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      <image:title>Artwork/ Obra - Humboldt´s study</image:title>
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      <image:title>Artwork/ Obra</image:title>
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      <image:title>Artwork/ Obra</image:title>
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      <image:title>Artwork/ Obra</image:title>
      <image:caption>General view, When the rational seems abstract, Arróniz Gallery, Mexico city, summer 2015</image:caption>
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      <image:title>Artwork/ Obra</image:title>
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      <image:title>Artwork/ Obra</image:title>
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      <image:title>Artwork/ Obra</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5368028fe4b03c13e87938ea/1400197069312-GK0SQ47AIG2J0WUCFCYD/Caida+como+metod+de+entendimiento.jpg</image:loc>
      <image:title>Artwork/ Obra</image:title>
      <image:caption>Caída como método de entendimiento, 2010 Charcoal and acrylic on raw linen</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5368028fe4b03c13e87938ea/1399475359077-AU1CUYWNQJ6URPYLBTGQ/3a.jpg</image:loc>
      <image:title>Artwork/ Obra</image:title>
      <image:caption>Trayectoria del conocimiento, Path of Knowledge, 2012-2013, National homenage to José María Velasco, Museo Nacional de Arte, Mexico City.  Path of Knowledge  presented at el Museo Nacional de Arte is dedicated to José María Velasco, is a dynamic exhibition comprised of painting, photography and sculpture. Under the anniversary of the mexican landscape painter José María Velasco, the artist Alejandro Pintado valued   the artistic processes of his celebrated works through an analysis of drawing, geometry, representation, mathematics, perspective and the composition. The show is the fifth intervention cycle "100 and 30. Palace and Museum. Contemporary Dialogues "of Munal, which is showcasing what happens behind a finished work. "Many times when we see a work  we only see the result or conclusion reached by the artist, what interests me  of this installation  is  to think more of the  creative process behind   the production of an art work".   </image:caption>
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      <image:title>Artwork/ Obra</image:title>
      <image:caption>Alejandro Pintado has been examining and re-working historical depictions of Mexico’s landscape in his paintings for some years. While living and working in London, he  turned his attention to the English countryside for this exhibition. These are images of natural landscapes that are immediately familiar but which Pintado is keen to point out are as constructed as anything we find in an urban environment. Sketched in charcoal on raw, unprimed canvas, the scenes, borrowed from 18 century engravings, serve as the support for Pintado’s interventions in brightly coloured acrylic. Pintado seeks to gently pick apart the tangle of social and political layering within the idea of the countryside, and in particular of the picturesque, that grew up in the grounds of aristocratic estates of the era. At this time the natural environment was being re-designed by gardeners like Capability Brown and William Kent, using their clients’ memories and mementoes of the Grand Tour as inspiration. The idea of England, it turns out, owes much to painters like Claude Lorraine who influenced both the creation and the depiction of the landscape of the time. By using the countryside of Gainsborough and Constable as source material, Pintado’s colourful intrusions thus draw our attention to the complex relationship between the physical world and its art historical representation, and the role that both have to play in a notion as nebulous as national identity.</image:caption>
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      <image:title>Artwork/ Obra</image:title>
      <image:caption>For this exhibition, Pintado did a historical and aesthetic  research on romantic german artist  Moritz Rugendas  who, in the  XIX century  made a trip to Mexico and recorded in drawings  the ways of  his travel from the port of Veracruz to the valley of Mexico. Pintado 's interest lies in the comparison of the  European Academic representative technique   and the Mexican landscape. Two ways of looking  that  later in history became the formula for building  mexican  iconic national landscape. The European academy defining national identity. The series is composed by collages on original prints by Rugendas,  paintings and sculptures.  Presented at Arroniz Gallery, Mexico City 2010.</image:caption>
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      <image:title>Artwork/ Obra</image:title>
      <image:caption>Vacuum Measurement tries to imagine the paths of the physical events that construct reality in front of us and despite  this they are not perceptible to the human eye. Through a series  observations Pintado leads us to reflect on the way we perceive reality. He takes elements that are a result of a more complex series of events, such as the appreciation of color described in physics as visible wavelength in the electromagnetic spectrum as in Chromatic wave propulsion where the waves travel over the landscape like colored particles . On Movimiento desviado con aceleración continua, gravity is the central theme of the piece, with the aim of recording the way that this occurs, Pintado takes the observations of one of his experiments where metal powder dropping on a magnet generated elliptical forms. In the piece  Before history the artist turns the sound imperceptible to the human eye in a three-dimensional graph produced by the waves in the basaltic rocks. By bouncing radar frequencies emitted we can see as much texture detail of an object, so that the three-dimensional plane can be seen by listening .  Search x, y , z displays a dark, empty space where the linear volumes of the stones are segmented by lines, as in the 3D scans where volumes are recorded by means of linear cuts as known in the Euclidean space .</image:caption>
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    <image:image>
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      <image:title>Artwork/ Obra</image:title>
      <image:caption>The visual construction like any experience is based on past experiences. The way we see depends directly on the knowledge we had in the past and the way in which we incorporate new ways of looking   the present. This installation created specifically for the central courtyard of the Museo  Nacional de San Carlos reflects on the pictorial representation of the past, specifically about the view of Mexico in the eyes of artists of the eighteen century, years before the advent of photography. The first impressions of America were subject to the view of the artist  and  later the objects produced influenced the imagination of those who observed them. Incisión al Romanticismo plays with translations between reality and the views  by  18th century artist  José María Velasco all the way to the 21st century. For this  I selected one of  his most iconic paintings of Mexico: "Vista del valle desde el cerro de Santa Isabel” 1876 Traditionally the pictorial space is delimited by the two-dimensions of its surface and at the  edge of the canvas this artistic theatricality fades.  For this work  the pictorial space is violated by opening its borders to the three-dimensionality of where it is placed inviting the viewer to travel on its composition, to observe his forehead, his  side and moving through new constructions between pictorial and architectural universe of the museum’s courtyard.  Antagonism in materials: linen, wood charcoals and live with industrial color a metals bars. These two universes coexist in the same composition generating conceptual and chromatic tensions.</image:caption>
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  <url>
    <loc>http://www.alejandropintado.com/editions</loc>
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    <lastmod>2022-09-18</lastmod>
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      <image:title>Editions - Sobre la visión atmosférica, 2018</image:title>
      <image:caption>Metal laser cut, patina and polychromed 70 x 34 cms</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5368028fe4b03c13e87938ea/1549388692240-AZF9A7M6ZILHP9H1WIFS/volcan+terminado+.jpg</image:loc>
      <image:title>Editions - Sobre la visión atmosférica, 2018</image:title>
      <image:caption>Metal laser cut, patina and polychromed 70 x 34 cms</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5368028fe4b03c13e87938ea/1400020894336-BRE2527MB0U62GWFS01U/Memoria+geom+ALTA.jpg</image:loc>
      <image:title>Editions - Memoria geométrica, 2012</image:title>
      <image:caption>silkscreen 7 inks 54 x 73 cms</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5368028fe4b03c13e87938ea/1400021009732-Q7GW89J21OSYMC0X6TH2/vallle+mex+version+3.jpg</image:loc>
      <image:title>Editions - Vectores, 2014</image:title>
      <image:caption>silkscreen and digital print on Hahnemühle matt fibre 200 gr paper 35 x 45 cms</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5368028fe4b03c13e87938ea/1580928464881-BSPV1G6Z0PRWVKRBICIO/APintado+Baja+copy.png</image:loc>
      <image:title>Editions - Caida libre/ Free fall, 2019</image:title>
      <image:caption>aSilkscreen on mirror and MDF 90 cms diameter</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5368028fe4b03c13e87938ea/1663529379365-IVRL566HJ5GJFJ30ZH3T/Recuerdo+de+una+caminata.jpg</image:loc>
      <image:title>Editions</image:title>
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  <url>
    <loc>http://www.alejandropintado.com/artwork-2000</loc>
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    <lastmod>2014-05-15</lastmod>
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      <image:title>Other works</image:title>
      <image:caption>Intercambio, 2005 oil on canvas and vinyl on plexiglass</image:caption>
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      <image:title>Other works</image:title>
      <image:caption>en casa/ balance de azules y neutros, 2006 oil on canvas and vinyl on glass</image:caption>
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    <loc>http://www.alejandropintado.com/collage</loc>
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    <lastmod>2022-09-18</lastmod>
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      <image:title>Collage</image:title>
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    <loc>http://www.alejandropintado.com/about</loc>
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    <lastmod>2022-04-19</lastmod>
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    <lastmod>2024-12-11</lastmod>
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    <lastmod>2022-04-19</lastmod>
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